Tag Archives: Steve Gordon

Steve Gordon

Steve Gordon Remembered…We salute the memory of our departed friend

By Dawoud Kringle

Steve GordonThe music world suffered an incalculable loss after the untimely passing of Steve Gordon, Esq.

Gordon graduated from SUNY Binghamton, in 1987, earning a B.A. (with Honors), New York University School of Law, J.D. in 1981, and earned a French Language Certificate from the University of Paris in 1982.

From 1981 to 1983 he served as a law clerk in the Appellate Division of the NYS Supreme Court, ( the second highest court in the New York State judicial system). 1983 to 1984 saw him employed as a Music Attorney  by Dino Di Laurentis in Beverly Hills, CA, where he negotiated and drafted soundtrack recording agreements and contracts with composers for this Hollywood movie studio. Gordon served as a SESAC Senior Counsel between 1985 and1990. He handled the licensing of music for public performance on radio, television, cable, nightclubs, arenas, amusement parks, and background music services in the United States and throughout the world.  From 1990 to 1991 he worked as an Associate with Mayer Katz Baker & Liebowitz, where he negotiated and drafted recording agreement for Elektra and Atlantic Records and recording artists including In Excess, Billy Idol and Boy George.

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Steve Gordon

Book Review: Steve Gordon’s “The 11 Contracts That Every Artist, Songwriter, and Producer Should Know”

Or: The 11 Contracts That Every Professional Musician, Songwriter, and Producer Should Know

A Book Review by Dawoud Kringle 

The pantheon of music related literature is littered with books on how to succeed in the music business. They range from the invaluable to the useless. To complicate matters, the volatile and mercurial nature of the music business itself almost inevitably renders them obsolete within five years of their publication. For a book to survive in such an environment, it’s author would not only need to clearly and concisely convey the most important and indispensable information, but also to extrapolate the possible directions the music business will go in the future.

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