Tag Archives: Ornette Coleman

CD Review: SoSaLa “Nu World Trashed”

Nu World Trashed: The New Release by SoSaLa

SoSaLaArtist: SoSaLa
Title: Nu World Trashed
Format: CD (limited edition of 300) ONLY! (Digital release will be February 2021)
Label: DooBeeDoo Rec
Genre: nu world trash/nu jazz/oriental/improv/contemporary

Buy here: https://sohrab.info/press-2/

CD Review by Dawoud Kringle

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Cecil Taylor: A lifetime of the Relentless Pursuit of Beauty

Dawoud Kringle reviewing Cecil Taylor’s life and career

Cecil TaylorOn Thursday, April 5th, 2018, one of the most original and innovative pianists of our time, Cecil Taylor, died of natural causes at his home in Fort Greene, Brooklyn at the age of 89.

Taylor was classically trained, and valued European music for what he called its qualities of “construction” — form, timbre, tone color. He brilliantly incorporated them into his own jazz and blues based aesthetic. He once told jazz critic Nat Hentoff “I am not afraid of European influences. The point is to use them, as Ellington did, as part of my life as an American Negro.” Continue reading

Underrated “Harmolodics” Master Guitarist Bern Nix Remembered

Bern NixText by Dawoud Kringle

The world of improvised music was shocked to learn of the passing of master guitarist Bern Nix.

Born in 1950, Nix moved to New York City, and made a living for a while as a guitar teacher. He succeeded James Blood Ulmer in Ornette Coleman’s Prime Time band, and in 1985 formed his own band. In 1993, the band released the album Alarms and Excursions. Nix released solo recordings such as Low Barometer (an acoustic recording), Less is More, and Negative Capability. Nix also performed with Jayne Cortez, John Zorn, Marc Ribot, Elliot Sharp, Jemeel Moondoc, James Chance, Kip Hanrahan, and Roland Shannon Jackson. In recent years, Nix performed regularly at the Vision Festival, and at smaller local venues. He worked with his quartet The Bern Nix Quartet (featuring Matt Lavelle, François Grillot and Reggie Sylvester), Cheryl Pyle’s Beyond Group, and with ensembles led by Ras Moshe Burnett.

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Book cover: Rebelmusic

Jazz and Islam – A Retrospective Series (P.2)

Continued History

Text by Dawoud Kringle

In this part of the Jazz and Islam Series, I will provide a perspective on the growth of Islam among American jazz musicians.

The Mosque of Islamic BrotherhoodMany of the earlier converts to Islam worked at raising money to bring Muslim / Sufi teachers to the USA. Talib Daoud and his wife, singer Dakota Staton (a.k.a. Aliyah Rabia) taught Islam in Philadelphia, PA. She also opened a store in New York City that sold African art and wares, and Islamic books and supplies. An Egyptian man named Sheikh Mahmoud Hassan Rabwan taught Islam and Arabic there. In the New York area a few Muslim owned venues, mostly restaurants, opened that featured musical performances. These included “The East” and “The House of Peace.” Mosques such as the Mosque of Islamic Brotherhood used to hold benefit concerts, which featured performers such as Alice Coltrane, and others. Later, a performance venue opened by saxophonist, composer, bandleader, teacher, and mentor Muhammad Salahuddin (1930-2004) called “The University of the Streets” featured performances, workshops, and music instruction.

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Iranian New Music Series P. 4 – Hafiz Modizradeh

In Chromodal Discourse…

Hafez Modirzadeh

Photo by Walter Wagner

Text by Dawoud Kringle

The approach to improvisation that Ornette Coleman pioneered in the late 1950s and early 1960s rewrote the book on musical improvisation. However, Coleman’s paradigm shift was only the beginning. San Francisco based composer, saxophonist, and musical theorist Hafez Modirzadeh is among the forerunners of a significant transformation in improvised music, picking up where Coleman left off, and taking it into new places.

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