Tag Archives: Namaskar

Event Review: “Brooklyn Raga Massive” – A Stepping Stone for the Indian and Western Music Scenes

Date: April 18, 2013
Venue: The Tea Lounge (NY)

Review by Dawoud Kringle

My friend Veronique Lerebours (HarmoNYom), after attending one of my performances, advised me to check out the Brooklyn Raga Massive, which is held every Thursday night at the Tea Lounge in Brooklyn. She assured me I would like it. I had not heard of it before; and I knew this was something I needed to see. So; on a spring night I ventured to the Park Slope neighborhood in Brooklyn.

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Concert review: a night of Indian-American music, another example of great local talent reaching forward into new territory!

Date: September 23, 2011
Venue: Baruch College’s Performance Space (NY)
Concert review by Jim Hoey

This recent night of Indian-American music at Baruch College’s performance space, on Sept. 23rd, is another example of great local talent reaching forward into new territory, and simultaneously upholding the traditional apects of Hindi-inspired Bollywood soundtracks. Two bands,  Ravish Momin’s Tarana, and Sameer Gupta’s Namasker, took two different approaches, drawing from the same traditions.

It was incredible to hear Momin on drums in Tarana, with the exquisite accompaniment of Trina Basu on violin, mixing live percussion with trademark electronics. They slowly built up a loose framework for the extensive and soulful improvisations, playing most of the 4 new tracks on the new EP After the Disquiet. The achievement of Tarana is that with even the most traditional of folk-Hindi rhythms as a point of departure, their songs can take subtle turns down different paths to a more Middle-Eastern or Asian sound, then more modern, and can often switch mid-piece without any jarring or noticeable transition point.

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