Tag Archives: Fula Flute

Fundraising Campaign: Ecole Fula Flute (Conakry, Guinea)

L'ECOLE FULA FLUTEGreetings Dear Friends,

Thanks to your generosity, our Ecole Fula Flute, in collaboration with the Centre Tyabala de Guinee, is doing well and enriching the lives of many kids in Conakry (Guinea).

We further our students’ individual and musical development and thus contribute to advance Guinean culture by bringing up a new generation of dedicated flute players thereby infusing a new life in this iconic instrument.

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The Creative Music Foundation (CMF) to Sponsor l’Ecole Fula Flute in West Africa

The Creative Music Foundation is acting as the nonprofit ‘fiscal sponsor’ for CMS alumnus Sylvain Leroux’s project to teach music to children in Guinea, West Africa. CMF is taking tax-deductible donations for the ‘l’Ecole Fula Flute.’ Read Sylvain’s story of how he started the school and the progress it’s made.

Text by Sylvain Leroux

Something very special has been happening in Guinea and l’Ecole Fula Flute has taken a life of its own.

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FULA FLUTE’s new videos!


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( About the video: a new video of FULA FLUTE featuring Bailo Bah and Sylvain Leroux. Performing the song “Ndougouse Baobara” in an environment of works by French sculptor Alain Kirili.)

Sylvain Leroux (alto sax & fula flute) was born in Montréal. He studied classical music at Vincent d’Indy School of Music and
at the University of Montreal. He attended the Creative Music Studio in Woodstock, NY where he was exposed to World music, participating in workshops led by world class artists.

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Music listings – 11/29 through 12/5

1. Adam Rudolph’s Go Organic Orchestra

Date: Monday, November 29, 2010
Time:  8:30pm
Venue: The Roulette (20 Greene St., NY)
Ticket: $15
Genre: Jazz/contemporary

Composer Adam Rudolph returns with another series of Go: Organic Orchestraat Roulette. In concert he will conduct between 20 – 35 musicians in a spontaneous way, using a newly created score of music/letter grids, language themes, tone rows, traditional and synthetic scales, diadic and intervalic harmonies, The compositions will also utilize Rudolph’s rhythm concept of “Cyclic Verticalism” to generate form and weave what he calls an “audio syncretic music fabric”. The music is “organic” in the sense that the compositions and conducting exist as an inspiration and context for the musicians to express themselves by using their instruments as an amplifier for their inner voice.

2. Chicha Libre

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