Date: Monday, February 7, 2011
Time: 9pm
Venue: the University of the Streets (130 east 7th street. 2nd floor. NY)
Ticket: $10
Genre: Jazz/improve
A night of challanging Jazz: Robert Picket – piano, Newman Taylor Baker – drums, Hilliard “Hill” Greene – bass who is the bassist and music director for Jimmy Scott and The Jazz Expressions; and former bassist and concert master for Cecil Taylor.
Date: Monday, December 20, 2010
Time: 9;30pm
Venue: Barbes (376 9th Street, Brooklyn, NY)
Ticket: $10
Genre: a mixture of latin rhythms, surf music and psychedelic pop
Chicha Libre plays a mixture of latin rhythms, surf music and psychedelic pop inspired by 1970′s Peruvian music from the Amazon. The Brooklyn-based band mixes up covers of forgotten Chicha classics with French-tinged originals, re-interpretation of 70’s pop classics as well as cumbia versions of pieces by Satie and Ravel. With Greg Burrows – percussion; Joshua Camp – Hohner Electravox; Olivier Conan – Cuatro & Vocals – Nicholas Cudahy – bass; Vincent Douglas – Guitar – Neil Ochoa – percussio
Date: Monday, December 6, 2010
Time: 8pm
Venue: Le Poisson Rouge (158 Bleecker Street, New York, NY 10012, ph: 212- 505-3474
Ticket: $15
Genre: avant-pop/electronics
Floored By Four is the eponymous debut from Mike Watt’s “New York project,” a quartet of renowned musicians comprising Dougie Bowne on drums, guitarist Nels Cline, Yuka C. Honda on keys, and bass, spiel and compositions by Watt.
Artists performing include: Nels Cline, Mike Watt, Miho Hatori, Dougie Bowne, Thomas Bartlett, Doug Wieselman and
Yuka C.Honda. Continue reading
Date: Monday, November 1, 2010
Time: 10:30pm
Venue: Le Poisson Rouge (158 Bleecker Street, New York, NY 10012, Phone: 212- 505-3474)
Ticket: $18
Genre: American Music/contemporary/nu folk/avant pop
Forging a new acoustic sound that defies categorization while striking universal chords, Tin Hat from San Francisco makes freewheeling chamber music for the 21st century. Garnering widespread critical acclaim for its six CDs, the group has also earned high marks for their captivating performances. Tin Hat’s international audiences have grown over the years through its many concert tours in the United States and Europe. Hailed by the press for “interweaving Old World Europe with post- modern America, south-of-the-border sensuality with concert-hall propriety, and odd-metered syncopation with deeply soulful grooves” (The New York Press), the ensemble has created an original American ethnic music of its own device.
