“Get Your Dance On” is back!!!
Date and time: Saturday, September 24 at 7:30pm
Where: YogaWorks SOHO (459 Broadway, New York)
Ticket: buy here
Date and time: Saturday, September 24 at 7:30pm
Where: YogaWorks SOHO (459 Broadway, New York)
Ticket: buy here
Date: June 27, 2011
Time: 10pm
Venue: Freddys Bar (627 5th Ave at 17th Street – one block from the Prospect Avenue R-stop, Brklyn, N.Y. 1215)
Ticket: $10
Genre: guitar music
Hot & Cold will premier a few works they’ve been co-writing over the last year on their electric guitars. Fusing their common love of improvisation and composition, guitarists Anders Nilsson and Aaron Dugan create musical layers that transgress denominations and -isms and embrace the universe’s constant mandate to create anew.
Venue: The Roulette (20 Greene Street,between Canal and Grand Streets)
Tickets: $15 (reservations: 212.219.8242)
Brandon Ross: Blazing Beauty
Wed Feb 16 – 8:30 PM
Guitarist, composer, singer, songwriter Brandon Ross has worked with everyone from Muhal Richard Abrams, Don Byron, Bill Frisell, Leroy Jenkins, Oliver Lake, Arto Lindsay, to Joan Osborne, Henry Threadgill, and many others. Self described as “Future-folk music”, Ross’ music is at once pastoral, dissonant, intimate and avant-garde. Tonight at Roulette, Ross presents Blazing Beauty, his acoustic-based ensemble with Stomu Takeishi (acoustic bass guitar), JT Lewis (drums), and Brandon Ross (guitar/banjo/vocal) – extending his expressive field into “folk”-oriented musics and compositional approaches while communicating his dedication to fresh musical experience.
INTERPRETATIONS: David Wessel / Roscoe Mitchell 70th Birthday
Thu Feb 17 - 8:00 PM
Two contrasting settings featuring innovative woodwind virtuoso and Art Ensemble of Chicago founder Roscoe Mitchell. Electronic music pioneer David Wessel and Roscoe Mitchell, long time collaborators, play a set of duo improvisations, followed by the Roscoe Mitchell Quartet featuring Dave Burrell (piano), Henry Grimes (bass), and Tani Tabbal (drums).
Text by Ed Hess
I started the Teepee Project in order to give the average person a platform to express themselves and have their voice heard. Every time I put on the news, I see the tea party coverage and can’t help but think how their views do not represent me and how else can the average person express themselves without dressing up in a silly costume. So instead of sitting on the couch doing nothing, a friend and I decided to put a teepee up in Union Square Park, NYC to record people on video and get their point of view on various concerning topics of the day. It turned out to be a success and we will continue the grass-roots effort for as long as we can. I am a big fan of Sohrab and his music, ever since we met in Central Park last summer. We collaborated on a short film entitled, Death and the Dancer in September of 2009 – Sohrab created the musical score and I directed. Hopefully, we will work together again in the future as he is an extremely talented musician, artist and activist. He was kind enough to show up at the teepee in Union Square and can be seen in part 3 of the series, closing us out with a beautifully played song…
Music business? Is it a business? What does stand music business stand for? Who owns the music industry? What is the musician’s share? Where does the money go? Who doesn’t want to pay or buy?
Questions……..questions and many more. Here are some answers to these questions provided by GEEKOLOGIE.

Text by Tanja Laden
Based on a 2001 symposium at the Getty Research Institute, Harry Smith: The Avant-Garde in the American Vernacular surveys the artist’s influence on American film, music, and the visual arts.
Featuring color reproductions of Smith’s images, as well as essays by scholars, friends, and colleagues, the book explores the life of the 20th-century Renaissance man best known for his definitive Anthology of American Folk Music — a six-record compilation of commercial songs from 1926-1932 that helped facilitate the folk revival of the ’60s. The multifaceted mystic also achieved cult-hero status in the world of cinema for his experimental films, and received critical praise for his rare, freeform abstract paintings.