DooBeeDooBeeDoo

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DooBeeDooBeeDoo is a cross-cultural on-line magazine, based on the view that music and community are indivisible, and that musicians, consumers and record companies are all part of one community. The basic thrust of the editorial content is that a social awareness can be fostered through music.


Archive for the ‘Japan’


Mr. Rosen, you and your festival missed a great chance to be a “real and meaningful festival!

Text by Sohrab Saadat Ladjevardi

Daniel H. Rosen response to my article of To D.H. Rosen’s Kodo’s Earth Celebration (Japan) PR: is Japan really OK? (03/11/2011)

“Last month I posted a video of a Niigata Television news report that featured my involvement with a live-streaming project at Earth Celebration 2011. I then received a response from Sohrab Saadat Ladjevardi from the “DooBeeDooBeeDoo” blog who took issue with my suggestion that “Japan is OK.” Mr. Ladjevardi makes some important points so I thought I would share his blog entry in my newsletter. However, I would also like to explain my intention was only to show the world that Japan is still a vibrant place where life is celebrated (as opposed to being a nuclear wasteland), not that everything is rosy and the dangers aren’t real. Yes, Japan has a lot to learn from past mistakes and the nuclear issue is very serious, but when I said “Japan is OK,” I meant it in the context that the piece was intended– i.e. that it is OK for tourists to come back, which I do believe to be true. For those of us that actually live here, the long-term affects of elevated radiation may very well be a health risk, but the idea that people outside of Japan have a better understanding of the situation than those of us on the ground is ridiculous if not infuriating. Peace out!”

This commentary appeared in Rosen’s “TokyoDex Newsletter 11月号” which I subscribe to. Good to know that he read my article and thought about it. Unfortunately he didn’t respond to me or to DooBeeDooBeeDoo directly, although I had emailed him directly to inform him about my post. So I guess he didn’t want to speak with me directly. Nonetheless,…at least I got some response from him. Read More

To D.H. Rosen’s Kodo’s Earth Celebration (Japan) PR: is Japan really OK?

Text by Sohrab Saadat Ladjevardi

Daniel H. Rosen was recently featured in a Japanese news story about the Earth Day Celebration in Sado (Western Japan), but what makes him particularly interesting is that he is an American who was put in charge of this celebration after years of involvement on the Japanese arts scene. This appointment also coincided with the aftermath of the earthquake and tsunami that hit in March.

I had never met Daniel H. Rosen when I lived in Japan, but he was there when I was there. Last year in December I got a newsletter from Rosen which made me contact him to find out how he found out about DooBeeDoo. He told me that he found DooBeeDoo via internet just by chance and put us sporadically in the mailing list.

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Message From Gonzalo Rubalcaba to Japan!!!

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Gonzalo Rubalcaba (born May 27, 1963 in Havana, Cuba) is a Grammy Award-winning Cuban jazz pianist and composer. He has received 14 Grammy nominations (wining 2 Grammys for Nocturne and Land of the Sun, and 2 Latin Grammys for Solo and Supernova) including four for Jazz Album of the Year (Rapsodia in 1995, Antiguo and Inner Voyage in 1999, and Supernova in 2002), the Palme d’Or from the Music Academy in Paris in 1991 and two “Best Performer” awards for “Suite 4y20″ and “Rapsodia” in 1992 and 1993 respectively. In 2008, Gonzalo was awarded the “Vanguard Award” by The ASCAP Foundation for “charting new directions in Jazz”.

In 1986 he had a chance meeting in Havana with bassist Charlie Haden. Through Charlie Haden he came to the attention of Bruce Lundvall president of Blue Note Records, and thus began an association, first with Toshiba/EMI of Japan, and later with Blue Note in the US, which has resulted in the release of eleven albums. Due to his record releases and popularity with the Japanese ctizens he has had countless performances in Japan. When he heard about the earthquakes and the tsunami he along with other musicans became concerned about his Japanese friends and fans.  Through his concern he sends the above message in Spanish (read the English translation below).

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Japan indie music scene: Osaka’s “.es” = Dot Es…introducing themselves

Text by Sara Dotes

Photo by 稲垣元則

In 2009, .es started out as contemporary multi-media music unit based at “Gallery Nomart” in Osaka, Japan. .es consists of Takayuki Hashimoto (guitar, alto saxophone and harmonica etc), Sara (piano, cajon and dance etc ) and Satoshi Hayashi, modern art director and producer of .es. Hashimoto and Sara are multi-instrumentalists and also Sara occasionally dances with Hashimoto’s sound. Their live music performances all have a different theme and they choose instruments appropriate for each theme. All of their performances are in an improvised style.

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The two members of .es (Hashimoto and Sara) came to respect and play various musical styles such as rock, punk, classical music, flamenco, and increasingly found themselves wanting to express the impulse on principles and unchangeable soul.

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Event report: a little help for Japan!

Text by Jim Hoey

Japanese TV commercials are the best! But Japan…?

Text by Sohrab Saadat Ladjevardi

Here are 6 Japanese TV commercials that would probably never be made in America. I love how Japanese produce their TV commercials which are very unique, serious but funny/hilarious at the same time, surreal, sophisticated, naive, ironic and sometimes “Zen like”. I also like the out of context use of sound and music contradicting each other. Peter Sellers or Monty Python would enjoy watching them!

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But…unfortunately these commercials can’t be applied or referred to daily life in Japan. In fact life in Japan isn’t as exciting as people here believe. It is unsophisticated and impersonal. In some degrees very boring.  Tokyo for example – which is Japan’s metropolis, the country’s brain and the center of culture and commerce – lost its life power since the start of the recession at the end of the 1980s. Since then no big changes have happened. In fact the recession forced the Japanese to get aware that something was wrong with them. Instead of getting in charge of their own lives they tried to keep their lifestyles of before. Nobody wanted to take any responsibilities. Most people ignored their own deep feelings and anger. By the way did you know that Japan has the highest suicide rate in the world? Doesn’t this say alot about this country?

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Japanese guitar drums duo PIKACHU-MAKOTO at Death By Audio (NY)

Date: May, 2011
Venue: Death By Audio (NY)

Text by Jim Hoey

What should be known about this guitar drums duo is that they are former/current members of Afrirampo and Acid Mothers Temple, 2 hard hitting punk/psychedelic rock bands from Japan. Also to be know is that they are in the middle of a one month tour of the US, and if you find yourself on the east coast or somewhere between NYC and southern California, you might be close enough to road trip over to one of their gigs soon.
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Kitajima Saburo – the godfather of Japanese enka!

Text by Sohrab Saadat Ladjevardi

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SOS from Mayor of Minami Soma City, next to the crippled Fukushima nuclear power plant, Japan!

Japan Benefit Event in NY: WA-GO – Global unity

和合~ Unity ~ Vol.1 
 
Date: Friday, April 1, 2011
Time: 6:30pm til midnight (performances: 7:30-11pm)
Venue: 239 W. 14th St. 2F (btwn 7th & 8th Avenues)
Ticket: $10 (All donations will be sent to the Fukushima, Miyagi and Iwate Prefectural governments) 
Genre: Classical music, Japanese traditional music, martial arts demonstration,
oriental Dance, Salsa Dance and African music

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