Text by Sohrab Saadat Ladjevardi
My dear friend, music colleague and FB friend (I think FB brought us together) Kamran Hooshmand passed away a couple of days ago. When I was drinking a coffee with my wife at Zabar’s last Sunday afternoon I checked my FB page and booms there was his wife’s Jill’s announcement of his death. I was shattered by this news, tears dropped out of my eyes. Immediately I commented to the news and asked Jill to get back to me, because I didn’t know her cell number.
She hasn’t responded yet.
This is what I know…He died of Chronic Lymphocytic Leukemia (CLL). He told me about it in February; and I believe since than he has went through three chemos or even more?
Interview by DooBeeDooBeeDoo NY editorial staff
DooBeeDoo (DBD): Salam Kamran!
Thanks for making time to do this interview with DooBeeDoo. We’re looking forward to seeing your show this Sunday at CA Music Room in New York.
You have great guests in your ensemble and also a strong band, SoSaLa, opening up for you.
Two different bands with two different sound and messages will be performing but both leaders have their roots in Iran. Is this the first time for you to play here?
(Photo courtesy of Kamran Hooshmand)
Text reprinted from npr music: http://www.npr.org/templates/story/story.php?storyId=112829658
Written by EGON (SEPTEMBER 17, 2009 11:18 AM ET)
A few months ago, the record dealer who sold me the majority of his Iranian collection told me that his recent finds in Tehran — including Mehr Pooya‘s solitary LP of fuzz-guitar-soaked sitar funk — were going to a well-heeled international collector. He’d already sold the heavy psych pieces and the Iranian presses of Led Zeppelin albums and The Beatles’ Abba Road [sic] for stacks of euros before I got to dig through his collection.
Influenced by African and Arabic music and dance, contemporary ensemble pieces blending elements of devotional songs, mystical music, and dance traditions spring forth from the Persian Gulf and the Silk Route.
Sound: the Encounter (see tour schedule below) brings together adventurous musicians from Iran and Syria who seek to reassemble diverse expressions of a shared musical heritage in contemporary forms. The result is a collection of newly-developed and arranged musical pieces inspired by the millennium-old musical legacy of the ancient Silk Route that are rooted in classical and folk traditional musical forms and re-imagined within a new artistic frame.
Ancient instruments (bagpipes, flutes and drums) take on new contemporary identities in the hands of award-winning Syrian composer and saxophonist Basel Rajoub, acclaimed Iranian musician and dancer Saeid Shanbezadeh, and up-and-coming Iranian virtuoso percussionist Naghib Shanbezadeh.
Text by Sohrab Saadat Ladjevardi
Almost every month I find out about the existence of an Iranian musician or band in or outside of Iran. Since beginning of last year I have been aware of an new Iranian music scene which I would like to call the Iranian New Wave MUSIC (INWM). Most of these Iranian musicians who represent INWM either live and perform in Europe, in countries such as Germany, Austria, Switzerland, France, England, Holland, Sweden, Spain, Belgium and in the US, or in Iran hiding in their homes. Performing their music at private parties or at European embassies in Tehran. All of them have one thing in common: searching for their own voices or identities. Like their foreign counterparts they want to contribute to the “pluralistic-modern world of music” and be a part of it without forgetting their Iranian roots.
Testing the Limits of Collaboration – painting by Nicky Nodjoumi
Most of these musicians are into jazz, blues, reggae, electronica, indie-rock, heavy metal, Flamenco, Indian classical music, Latin music, Iranian folk music, Western contemporary and classical music. They either like to experiment with their traditional instruments, such as tar, santour, dombak, ney and daf, hooking them up to a lap-top in order to create sounds which are beyond of the original sound of that specific instrument. Or they play foreign instruments from the beginning.